Based on the example of Toronto, the sociologist Guillaume Ethier reflects on the cultural and urban effects involved in contemporary architectural realizations referred to as “iconic.” This architecture—a sort of sculpture on a grand scale—derives its aura from starchitects who conceive it and maintain a complex relationship with its urban environment.
Recent social movements in Brazil, characterized by diffuse claims and a diversity of actors, should not be solely interpreted as reactions to the overwhelming cost of organizing the 2014 World Cup. This article emphasizes the elitist nature and the inefficiency of recent urban policy.
